clementite
2022

During a series of workshops at Malévoz, psychiatric hospital in Switzerland, artist François Dey created a typeface in collaborated with the patients. Prior to this final result they experimented with different forms of being and collaborating. The hospital site, a public garden alike arboretum with grand sequoias older than hundred years is surrounded by mountains and woods which used to be a granite quarry. Early on, the geological society had asked for a cessation of mining activities on the erratic rocks brought by the ice fifteen thousand years ago. The vegetation has taken over the ruins of pathways and walls build in order to reach and dispatch the granite stones.

 

During one the groups first walks in the hospital surroundings, François grabbed a liana and brought it back to the studio. Another time they went on harvesting and braiding what they later figured were wild clematis plants. In another workshop they held and bended the braided clematis to form letters together. The alphabet seen as a common structure aswell as a tool for expression. Reflections came later about why they thought they were allowed to harvest this plant which was denominated as invasive but started to look more and more human. The plant uses support of other trees in order to grow. In April its flowers pop up on the top of other trees. Eventually the group started working with brooms. The order and cleanliness felt like an attempted to contrast the wild and uncontrollable essence of the plant. The brooms were used to create numbers for the font.

 

François Dey has published his research material of this project in a small booklet Carnet de Residence #5, stencil printed by Erwin Blok.

 

DESIGNER: FRANÇOIS DEY

YEAR: 2022

FORMAT: OTF, WOFF, WOFF2

LANGUAGE: LATIN

 

ORDER FONT

glyphs

A Á Â Ä À B C Ć Č Ç D E É Ê Ë È F G H I Î Ï J K L M N O Ó Ô Ö Ò P Q R S Ś Š T U Ú Û Ü Ù V W X Y Z Ž

0 1 2 3 4 5 6 7 8 9 . , : ; ! ? # / \ ( ) - – “ ” ‘ ’ ' + = > < « »

specimen
Carnet de Residence #5, François Dey, 2022
Carnet de Residence #5, François Dey, 2022